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Madamina, il catalogo è questo / Delle belle che amò
il padron mio / un catalogo egli è che ho fatt'io / Osservate,
leggete con me. / In Italia seicento e quaranta / In Almagna duecento
e trentuna / Cento in Francia, in Turchia novantuna / Ma in Ispagna son
già mille e tre. / Pretty lady, here's a list I would show you, / Of the fair ones my master has courted, / Here you'll find them all duly assorted, / In my writing, will't please you to look, / Here is Italy, six hundred and forty, / France is down for five hundred and twenty, / Only two hundred the Rhineland supplied him, / But mark the climax, Spain has already one thousand and three, / Here are Countesses in plenty. / Waitingmaids, nineteen or twenty. / Rustic beauties, Marchionesses, / Ev'ry grade his pow'r confesses. / Here are courtly dames and maidens, / Young and handsome, old and plain. / Is a maiden fair and slender, / He will praise her for modest sweetness, / Then the dark ones are so tender! / Lintwhite tresses shew discreetness; / When 'tis cold he likes her portly, / In the summer, slim and courtly, / Tall and haughty, ne'er she alarms him, / If she's tiny, no less she charms him. / Ripe duennas he engages, / That their names may grace these pages, / But what most he's bent on winning, / Is of youth the sweet beginning, / Poor or wealthy, wan or healthy, / Stately dame or modest beauty, / He to win them makes his duty, / And you know it, not in vain. "Herz, il catalogo è questo"
is a mixed media installation organized in a three modules rhythm: The
first one introduces a heart cast made in traditional plaster, with the
famous lyric by Da Ponte - Mozart written on. It continues with 13 heart
casts, made of silicon rubber with talcum powder, installed as a city
floor plan. The third part is a another heart cast made of silicon rubber
placed next to a monitor, a messy electronic circuit is openly installed
on it. The installation perceives our presence and returns, as a moving picture,
the vestiges of a presence:
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